Joey’s lyricism is sincere and paints a vivid picture of the
daily struggles encompassing his life. Leading single “Paper Trail$” shares
with the listener the financial difficulties of himself and his family as he exclaims
“they say money is the root of all evil; I see money as the route of all
people.”
The instrumentals on this record are excellently produced
exploring soul-jazz and boom-bap influences. The album’s opener “Save the
Children” features a unique backing of sliding ambience and highlight track
“Hazeus View” has a piano-driven beat that will cause one to reminisce on “N.Y.
State of Mind.” The overall production has a sound similar to that of ’93-94
era hip hop and Joey’s genuine and clever hooks add to the nostalgia.
The young rapper sets his aims high by attempting to craft
his own Illmatic in 2015. Such
boldness has caused him to receive recent backlash in the alternative hip hop
community for not even being born yet upon its release. What most fail to
realize is that most current hip hop does not stand up to the authenticity of
the classics, and for a young up-and-coming artist raised under the magnifying
glass of the social media generation to stand proudly and confidentially
release a mammoth of an album such as B4.Da.$$
is a feat in itself.
It is at this state of the game a young MC must find his own
sound and trademark flow to make it to the top. The irony is that this identity
crisis and passionate pursuit “before the money” tends to be the classic
everyone remembers. Jay-Z had Unreasonable Doubt, Eminem had Infinite, Nas had Illmatic and Joey Bada$$ has B4.da.$$.
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